http://operaslo.org/assets/images/concerts-and-events/The%20Magic%20Flute%202013/THe%20Magic%20FLute%20Title%20Pic.jpgI will first discuss the wasteland level. I believe that it represents the not perfect world. The wasteland that we first find Tamino in when he is fighting the serpent is the imperfect humanity world. In fact it is also this world where we find the queen and the three ladies are apart of. The wasteland is a symbol of how we started in the garden of Eden(Genesis 1) and how far the world has fallen.
The second level I want to discuss is the temple. The temple represents a higher level of learning and enlightenment. It is here when Tamino finds enlightenment on the true ambition of the queen. The temple is used to begin Tamino's transition to become the man he becomes at the end, the "perfect" man. The temple is in a way acting as a school for Tamino in my opinion. Higher learning is how men will be able to rise from the ashes of the wasteland of the world they live in.
The third level is the garden. The garden represents the garden of Eden. I believe at the end of the opera, Tamino and Pamina are standing in the garden with the sun on the horizon I am unsure if this is true, but it is what I thought when watching the opera. After Tamino and Pamina have faced their trials, they have reattained the paradise of the garden of Eden, which was lost to man when man fell(Genesis 1-2). They have made their journey and have been rewarded for their faith, love, and courage back into the fold with God, or in the opera's case Isis.
The fourth level is just simply hell. At the end we see that the queen, Monostatos, and the three ladies have been sent to 'ewige Nacht' or hell. I am not saying that the queen was a demonic person, but she allowed her evil side, which everyone has, overwhelm her which left her only one eternal home, hell. The queen could have been allowed to see the light like Tamino and Pamina, but she was too far gone in darkness to change. This is what awaited Tamino and Pamina, if they had not found the enlightenment, otherwise they would have eventually ended up like the queen.
I believed that is was more about finding yourself and enlightenment. At the beginning Tamino is in a wasteland fighting a snake, but do we really know why he was there to begin with. My belief is that he was there because he was already on a journey to find himself. When the queen showed the picture of Pamina to Tamino, he felt as though he found someone that would help him find himself, but he also felt like he was in love. The queen also in my opinion promised to help him find himself as well, not really sure on that, but I think she did this by offering him her daughter. Either way, he went on the journey to rescue her. When he arrived at the temple, he felt as though he had been mislead. He felt like he would be more than likely able to find himself in the learning's of the temple and Sarastro's teachings. Either way he agreed to the trials in order to find himself. By passing the trials he found himself and gained enlightenment.
In conclusion, the four levels I believe are the wasteland, which represented the imperfect earth, the temple, which represented a higher learning and enlightenment, the garden, which represented the perfect world that humanity lost, and hell. I believed the whole play was over the journey of finding one's self and gaining enlightenment.
Baker's four levels: Kingdom of the sun, Sarastro's kingdom, the fallin observation of humanity, and 'ewige Nacht' or hell. Kingdom of the sun is where the good or light shines brightest, above humanity. Sarastro's kingdom is humanity realized or enlightened. The third is humanity below enlightenment. The fourth is eternal separation from the light or enlightenment.
Great ideas here. Add Baker's "four levels of existence to what you have." That way it'll be here for study at mid-term and final time. You observation about the Queen is great, that she COULD/could not have been enlightened. So, why isn't she? does this say something about being "blinded" by revenge and such?
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